The Birth of Modernism
Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult| By: | Leon Surette |
| Publisher: | ACP - McGill Queen's University Press |
| Print ISBN: | 9780773512436 |
| eText ISBN: | 9780773563773 |
| Edition: | 0 |
| Format: | Page Fidelity |
eBook Features
Instant Access
Purchase and read your book immediately
Read Offline
Access your eTextbook anytime and anywhere
Study Tools
Built-in study tools like highlights and more
Read Aloud
Listen and follow along as Bookshelf reads to you
While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that Pound's editing of T.S. Eliot's The Waste Land was not motivated primarily by stylistic concerns, as has generally been contended by the New Critics, but by thematic considerations. In fact, it was precisely because Eliot knew Pound to be well informed about the occult that he asked for Pound's assistance with The Waste Land.